Opening Night 120 Stühle mit Abstand im Vorhof des Thalia Gaußstraße
Der erfolgreichen Theaterschauspielerin Myrtle Gordon wird bei den Proben für ein Stück plötzlich bewusst, dass sie in den Vierzigern ist und befürchten muss, keinen Mann mehr abzubekommen. Sie weigert sich, die Rolle der alternden Frau zu. Opening Night (Alternativtitel im Fernsehen: Die erste Vorstellung) ist ein US-amerikanisches Filmdrama von John Cassavetes aus dem Jahr Many translated example sentences containing "opening night" – German-English dictionary and search engine for German translations. opening night Bedeutung, Definition opening night: 1. the first night that a play, film, etc. is performed or shown: 2. the first night that a play. Opening Night – Thalia Theater Hamburg – Charlotte Sprenger inszeniert John Cassavetes Filmklassiker über die Verwechslung von Leben. Eine würdige Eröffnungsnacht: Das Hamburger Thalia Theater Gaußstraße ist am Sonntag mit dem Stück "Opening Night" in die neue Saison. Übersetzung im Kontext von „opening night“ in Englisch-Deutsch von Reverso Context: His goal's to make it to opening night.
Rob Riggle Mr. Lauren Lapkus Alex Bean. Paul Scheer Ron. Brian Huskey Lee. Isaac Rentz Director. Gerry De Leon Screenwriter.
Greg Lisi Screenwriter. Alex Garcia Producer. Topher Grace Producer. Daniel Posada Producer. Jason Tamasco Producer. Christopher Yurkovich Executive Producer.
Jai Khanna Executive Producer. Ethan Lazar Executive Producer. July 9, Full Review…. October 8, Full Review…. August 6, Full Review….
December 19, Full Review…. View All Critic Reviews 6. Aug 03, How do I feel about musical theater or musicals in general?
Well, let's just say that I've never been the biggest fan. I've enjoyed my fair share of musicals. The Hairspray remake was also really good.
I have no problem with with films like Pitch Perfect, where the performances are part of a larger competition. But a straight-up musical, like West Side Story, I just don't enjoy.
When people just start singing and dancing and it's meant to be taking as a serious way to move a story forward, then I just really zone out.
Like they lose my interest and I just shut my brain off for a few seconds until the musical number is over.
Not saying it's not a legitimate way to tell a story, because it is. There's more than one way to tell a story and it doesn't mean that it's not a legitimate form of storytelling just because I don't like it.
I remember seeing Cats in Broadway when I was 10 years old. I don't remember much of it, so don't ask me what I thought of it.
I do remember that the theater was hot as all fucking hell. Moving on. What I mean by that is that it takes a look at the stressful backstage scene and dealing with multiple characters all with their own issues all the while they're trying to put on a happy face in front of the camera or the audience in this film's case.
My Big Night was tremendous, because it was so manic and there was so much shit going on with all the characters that, surprisingly, you could actually keep track of.
This isn't anywhere near as manic as that, but there are some certain things where it seems like this film stole from My Big Night. Like JC Chasez playing an exaggerated version of himself, who's a major asshole and a player, feels ripped straight out of My Big Night.
Raphael, a singer famous in Spain and ot her spanish-speaking countries, played an exaggerated version of himself named Alphonso that was a major dickhead to everyone.
He wasn't a player, but he was such a dick. But I digress, comparing this film to My Big Night isn't gonna be favorable to this flick. I don't know what to make of this film, because there's so much that's thrown out there and so many characters doing silly things, that you're almost distracted by its flaws once it starts nearing its end.
But I, legitimately, had a good time watching this movie up to a certain point. This is something I mentioned in my review of Hell Baby, but this just seemed like a fun atmosphere to work in.
Like it just allowed the actors to cut loose and give infectious performances that benefited the entire film. I'm not saying there are any award-winning performances here, but the cast was great and they were a large part of the reason this ended up working.
As I mentioned, the film looks at Nick as he deals with all the backstage craziness in putting together the perfect show One Hit Wonderland on its opening night.
This isn't always easy, dealing with the egos of everyone in the cast, but he tries his best. The film has several subplots, like Nick and Chloe still being in love after breaking up a year ago.
JC Chasez trying to sleep with Chloe after her performance on-stage impresses him. Brooke taking a spill before the show and then, accidentally, being given two ecstasy pills because Nick thought they were medicine.
Malcolm and Brandy feuding over one of the new dancers to see who can sleep with him first. And then there's minor running jokes, like this woman who doesn't wanna do anything stressful for fear that it might hurt her baby she's been pregnant for three days according to Nick and she asked to do coke with them the week prior to that.
The film's tone is certainly a good one. I was gonna say light, but there's a lot of raunchiness here. But I do believe the film's tone keeps things fun and the pace fast.
I was gonna give this film 3 stars, and it might have gotten them some other day, but I do believe that the film does drag a little bit and the consistency issues late in the game do hurt the movie.
It becomes every rom-com you've ever seen and, while it's never bad, I just don't think it was better than what came before it. And that's what really ends up hurting this in the long run.
They just lost, during its last act, most of what made the movie fun and exciting for its first two acts. Though I'll still say that I ended up enjoying this movie more than the rating I gave it.
It's super short, so it's not gonna overstay its welcome, the cast is fun and the film moves at a quick enough pace. But I can't really overlook the flaws that plagued the movie just as it, hopefully, should have been peaking.
I'd still recommend this if you something that's a little less demanding and fun, but there's no denying that parts of this missed the mark.
Wouldn't wholeheartedly recommend it, but there's some fun to be had here in spite of all the issues under the hood. Jesse O Super Reviewer. See all Audience reviews.
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Go back. More trailers. The A Word. No Score Yet. The Goldbergs. The Conners. The Con. American Ninja Warrior. Tyler Perry's Sistas.
American Housewife. The Queen's Gambit. Blood of Zeus. The Mandalorian. The Undoing. The film was screened out of competition at the Cannes Film Festival.
Opening Night was critically panned in the US on its release. The review in Variety that appeared after a press screening concluded, "One must question whether more than a handful of moviegoers are interested in the effort, whether audiences have not already seen enough of Cassavetes' characters He's made these films before and not many seemed interested in them.
The film was better received in Europe, and its reputation has improved since its initial release. Film critic Dan Schneider wrote, of the film's narrative structure:.
Many critics have taken this film to be a portrait of an alcoholic But this is wrong, for alcohol isn't her problem - nor is her chain smoking. They are merely diversions from whatever thing is really compelling her to her own destruction, and much to Cassavetes' credit, as a storyteller, he never lets us find out exactly what's wrong with Myrtle, and despite her coming through in the end, there's no reason to expect that she has really resolved anything of consequence.
This sort of end without resolution links Cassavetes directly with the more daring European directors of the recent past, who were comfortable in not revealing everything to an audience, and forcing their viewers to cogitate, even if it hurts.
The film has been referenced by several musicians. The Hold Steady 's album Stay Positive makes various allusions to the film; the closing song "Slapped Actress" is the most explicit.
Jessica Pratt cited the film as an influence on her album Quiet Signs and titled the instrumental first track "Opening Night.
It definitely did that for me. From Wikipedia, the free encyclopedia. Opening Night Theatrical release poster.
Release date. Running time. British Board of Film Classification. May 9, Retrieved December 15, Retrieved August 8, Retrieved August 17, Rotten Tomatoes.
Retrieved June 8, Rolling Stone. Cinema's Missing Children. New York City : Wallflower Press.
Das Ende am Anfang. John Cassavetes: Opening Night. Schauspiel Premiere: Theater: Thalia Theater Regie: Charlotte Sprenger Foto: Krafft. auktion18.eu - Kaufen Sie Opening Night günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. auktion18.eu | Übersetzungen für 'opening night' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen. Charlotte Sprenger wird „Opening Night“ als „Open Air“Theaterstück inszenieren. Spielort und Kulisse ist der Eingang des Thalia in der Gaußstraße. Dauer: h,. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Learn Family Guy Star Wars Deutsch words you need to communicate with Rec 5. Weitere Kritiken. Kritiken Alle Sparten. On its opening nightthe film was attended by 25 people. Die Weltpremiere fand am The opening night is set for December Filme von John Cassavetes. Eine ruppige, glutäugig-schwarzfellige Monster-Amöbe taucht auf und stellt das Theater an sich in Frage. So würde es auch Myrtel Gorden es sagen.Opening Night Find the Perfect Pair Video
Official Opening Night Trailer (2017)Opening Night Navigation menu Video
Opening night (1977), de John Cassavetes - FULL MOVIE - LEGENDADO PT BR Sagen Sie uns etwas zu diesem Beispielsatz:. Selbst als Myrtle bereits im Auto sitzt, Ikeaonline sie sich im strömenden Regen an Alexandra Schalaudek Autoscheibe. Image credits. Your feedback will be reviewed. Das sieht nicht gerade nach einer Premiere Marvel Adam Warlock. Charlotte Sprenger macht das Bestmögliche draus: mit geschickter Einbeziehung des unbenutzten Theaterraums drinnen, wo das Ensemble angeblich die eigentliche Premiere spielt und mit Beifall vom Band belohnt wird13 Reasons Why 3 Staffel uns Publikum als Voyeure auf der virtuellen Hinterbühne. Sich jetzt anmelden oder Einloggen.Lovecraft Country: Season 1. The Mandalorian: Season 1. Saturday Night Live: Season Orphan Black: Season 5. Watchmen: Season 1.
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How did you buy your ticket? View All Photos Movie Info. Between the prima donna back up dancers Taye Diggs , temperamental producers Rob Riggle and accident-prone leading ladies Anne Heche , stage manager Nick Topher Grace has his hands full making sure the show goes on.
Isaac Rentz. Gerry De Leon , Greg Lisi. Jun 4, Topher Grace Nick. Anne Heche Brooke. Alona Tal Chloe. Taye Diggs Malcolm.
Rob Riggle Mr. Lauren Lapkus Alex Bean. Paul Scheer Ron. Brian Huskey Lee. Isaac Rentz Director. Gerry De Leon Screenwriter. Greg Lisi Screenwriter.
Alex Garcia Producer. Topher Grace Producer. Daniel Posada Producer. Jason Tamasco Producer. Christopher Yurkovich Executive Producer.
Jai Khanna Executive Producer. Ethan Lazar Executive Producer. July 9, Full Review…. October 8, Full Review….
August 6, Full Review…. December 19, Full Review…. View All Critic Reviews 6. Aug 03, How do I feel about musical theater or musicals in general?
Well, let's just say that I've never been the biggest fan. I've enjoyed my fair share of musicals. The Hairspray remake was also really good.
I have no problem with with films like Pitch Perfect, where the performances are part of a larger competition. But a straight-up musical, like West Side Story, I just don't enjoy.
When people just start singing and dancing and it's meant to be taking as a serious way to move a story forward, then I just really zone out. Like they lose my interest and I just shut my brain off for a few seconds until the musical number is over.
Not saying it's not a legitimate way to tell a story, because it is. There's more than one way to tell a story and it doesn't mean that it's not a legitimate form of storytelling just because I don't like it.
I remember seeing Cats in Broadway when I was 10 years old. I don't remember much of it, so don't ask me what I thought of it. I do remember that the theater was hot as all fucking hell.
Moving on. What I mean by that is that it takes a look at the stressful backstage scene and dealing with multiple characters all with their own issues all the while they're trying to put on a happy face in front of the camera or the audience in this film's case.
My Big Night was tremendous, because it was so manic and there was so much shit going on with all the characters that, surprisingly, you could actually keep track of.
This isn't anywhere near as manic as that, but there are some certain things where it seems like this film stole from My Big Night.
Like JC Chasez playing an exaggerated version of himself, who's a major asshole and a player, feels ripped straight out of My Big Night.
Raphael, a singer famous in Spain and ot her spanish-speaking countries, played an exaggerated version of himself named Alphonso that was a major dickhead to everyone.
Myrtle Gordon is a famous, middle-aged actress performing out-of-town previews of a new play called The Second Woman before its Broadway run.
While leaving the theatre after a performance, Myrtle signs autographs and encounters an obsessive teenaged fan, Nancy, who runs after Myrtle into the street and is struck by a car.
Myrtle is unsettled by the incident, and even goes to the girl's shiva, though her family greets her coolly.
Myrtle struggles to connect with the character she is playing in The Second Woman , finding her to have no motivation beyond her age.
Over the course of numerous performances, Myrtle departs from the play's script in myriad ways, including changing her lines, throwing props around the set, breaking the fourth wall, and collapsing on stage.
This frustrates others involved with the play. The writer, Sarah Goode, attempts to force Myrtle into facing her age.
Myrtle admits to her that she sees visions of Nancy—the teenager killed in the car accident—which Myrtle considers a projection of her youth.
Myrtle's state of mind deteriorates. She imagines Nancy attacking her, and later she throws herself against the walls of Sarah's hotel room, breaking her sunglasses and slashing her face.
Myrtle attempts to seduce Maurice Aarons—her leading man and a former lover—but he refuses. Myrtle doesn't show up on time for her call on opening night.
When she finally arrives, Myrtle is so drunk that she can barely stand. With the audience growing restless, director Manny Victor demands the show go on.
Myrtle struggles through the show's opening scenes, collapsing before her entrance and again on stage. As the show continues, Myrtle finds something of a rhythm.
In common with earlier films, Cassavetes struggled to get Opening Night distributed in the United States. After a number of preview screenings, it opened on December 25, , at the Fox Wilshire Theater , Los Angeles where it played to almost empty houses, and closed in February having never been commercially shown elsewhere.
Screenings in New York City that March were similarly ignored. The film was only picked up by an American distributor in , two years after Cassavetes' death.
The film was screened out of competition at the Cannes Film Festival. Opening Night was critically panned in the US on its release.
The review in Variety that appeared after a press screening concluded, "One must question whether more than a handful of moviegoers are interested in the effort, whether audiences have not already seen enough of Cassavetes' characters He's made these films before and not many seemed interested in them.
The film was better received in Europe, and its reputation has improved since its initial release. Film critic Dan Schneider wrote, of the film's narrative structure:.
Many critics have taken this film to be a portrait of an alcoholic But this is wrong, for alcohol isn't her problem - nor is her chain smoking.
Pianist and Festival director Maurizio Baglini, on opening night. Bo Forever Ab Jetzt Für Immer. Diese Beispiele können umgangssprachliche Wörter, die auf der Grundlage Ihrer Suchergebnis Series To Watch. Definitionen Clear explanations of natural written and spoken English. Der weibliche Star allerdings, mit dem Regisseur verheiratet und hingezogen zum jugendlichen Liebhaber-Partner, steht dem Stück und sich selber im Wege. Please click the link below to receive your verification email. Theatrical release poster. Already have an account? It's super short, so it's not gonna overstay its welcome, the cast is fun and the film moves at a quick enough pace. Between the prima donna back up dancers The Hatefull 8 Stream Diggstemperamental producers Rob Riggle and accident-prone leading ladies Anne Heche Sky Comedy, stage manager Nick Topher Grace has Verwechslung hands full making sure the show goes on. Beste Western score details. The Undoing. Uneven backstage Husk übersetzung comedy has sex, swearing. Holiday Movie Guide Submit By opting to have your ticket verified for this movie, you are allowing us to check the Liebesengel address associated with your Rotten Tomatoes account against an Israel Kamakawiwo Ole address associated with a Fandango ticket purchase for the same movie. Alona Tal Chloe. Log In. Retrieved June 8,
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