Opera De Paris Inhaltsverzeichnis
Die Opéra Garnier, auch Palais Garnier genannt, ist (neben der Opéra Bastille) eines der zwei Pariser Opernhäuser, die der staatlichen Institution Opéra National de Paris. Die Pariser Oper (offizieller Name: Opéra National de Paris) und ihre Vorgängerinstitute spielen durch stilprägende Uraufführungen eine bedeutende Rolle in. Opéra national de Paris, Paris. Gefällt Mal · Personen sprechen darüber · waren hier. Opéras, ballets, concerts, retrouvez toute. Die Pariser Oper und ihre Vorgängerinstitute spielen durch stilprägende Uraufführungen eine bedeutende Rolle in der Operngeschichte. Die Institution der Opéra wurde immer als unabhängig von ihren wechselnden Aufführungsorten betrachtet. Opéra National de Paris - Palais Garn Informationen Beschreibung Kalender Drucken Xl_avatar. Allgemeine Informationen. Name des Opernhauses: Opéra. Opera National de Paris. Die Pariser Oper ist die wichtigste Operngesellschaft Frankreich, die hat zwei Operas: Garnier und Bastile. Die Oper Palais Garnier: der. Opéra national de Paris. • Actualités de l'Opéra Bastille, du Palais Garnier et de la #3eScène • Spectacles,coulisses,rencontres • Suivez aussi.
Damit die Oper für jedes Publikum zugänglich ist, bietet die Opéra de Paris die begeben (auktion18.eu), auf der Sie gebrauchte Karten von. Opéra national de Paris - Palais Garnier - Der von Charles Garnier erbaute Palais Garnier ist der dreizehnte Pariser Opernsaal seit der Gründung dieser. Die Opéra National de Paris nutzt zwei Opernhäuser: Die am 5. Januar eröffnete alte Oper, nach ihrem Architekten Opéra Garnier oder „Palais Garnier“. Pracht, Kultur und Mysterium. Die Opéra de Paris (auch Palais Garnier genannt) ist das Hauptopernhaus von Paris und Sitz der Musikakademie. Sie ist. 
Part of the ceiling of the Grand Foyer with paintings by Paul Baudry : the central rectangular panel is Music , while the oval panel at the western end is Comedy.
The auditorium has a traditional Italian horseshoe shape and can seat 1, The stage is the largest in Europe and can accommodate as many as artists.
The canvas house curtain was painted to represent a draped curtain, complete with tassels and braid. In a new ceiling painted by Marc Chagall was installed on a removable frame over the original.
Although praised by some, others feel Chagall's work creates "a false note in Garnier's carefully orchestrated interior.
The seven-ton bronze and crystal chandelier was designed by Garnier. The total cost came to 30, gold francs. What else could offer the variety of forms that we have in the pattern of the flames, in these groups and tiers of points of light, these wild hues of gold flecked with bright spots, and these crystalline highlights?
Lighted chandelier under the ceiling by Marc Chagall. On 20 May , one of the chandelier's counterweights broke free and burst through the ceiling into the auditorium, killing a concierge.
This incident inspired one of the more famous scenes in Gaston Leroux 's classic gothic novel The Phantom of the Opera. Originally the chandelier was raised up through the ceiling into the cupola over the auditorium for cleaning, but now it is lowered.
The space in the cupola was used in the s for opera rehearsals, and in the s was remodelled into two floors of dance rehearsal space.
It has been out of service for several decades. Garnier had originally planned to install a restaurant in the opera house; however, for budgetary reasons, it was not completed in the original design.
On the third attempt to introduce it since , a restaurant was opened on the eastern side of the building in Since then a new permanent building had been desired.
Charles Rohault de Fleury , who was appointed the opera's official architect in , undertook various studies in suitable sites and designs.
However, with the Revolution of , Rambuteau was dismissed, and interest in the construction of a new opera house waned. The Salle Le Peletier's constricted street access highlighted the need for a separate, more secure entrance for the head of state.
This concern and the inadequate facilities and temporary nature of the theatre gave added urgency to the building of a new state-funded opera house.
By March, Haussmann settled on Rohault de Fleury's proposed site off the Boulevard des Capucines, although this decision was not announced publicly until A new building would help resolve the awkward convergence of streets at this location, and the site was economical in terms of the cost of land.
On 30 December the Second Empire of Emperor Napoleon III officially announced an architectural design competition for the design of the new opera house.
Applicants were given a month to submit entries. There were two phases to the competition. Charles Garnier 's project was one of about submitted in the first phase.
Garnier's was the quote "Bramo assai, poco spero" "Hope for much, expect little" from the Italian poet Torquato Tasso. Garnier's project was awarded the fifth-place prize, and he became one of seven finalists selected for the second phase.
The new submissions were sent to the jury in the middle of May, and on 29 May Garnier's project was selected for its "rare and superior qualities in the beautiful distribution of the plans, the monumental and characteristic aspect of the facades and sections".
Garnier's wife Louise later wrote that the French architect Alphonse de Gisors , who was on the jury, had commented to them that Garnier's project was "remarkable in its simplicity, clarity, logic, grandeur, and because of the exterior dispositions which distinguish the plan in three distinct parts—the public spaces, auditorium, and stage A giddy mixture of up-to-the-minute technology, rather prescriptive rationalism, exuberant eclecticism and astonishing opulence, Garnier's opera encapsulated the divergent tendencies and political and social ambitions of its era.
The site was excavated between 27 August and 31 December. The opera house needed a much deeper basement in the substage area than other building types, but the level of the groundwater was unexpectedly high.
Wells were sunk in February and eight steam pumps installed in March, but despite operating continuously 24 hours a day, the site would not dry up.
To deal with this problem Garnier designed a double foundation to protect the superstructure from moisture. It incorporated a water course and an enormous concrete cistern cuve which would both relieve the pressure of the external groundwater on the basement walls and serve as a reservoir in case of fire.
A contract for its construction was signed on 20 June. Soon a persistent legend arose that the opera house was built over a subterranean lake, inspiring Gaston Leroux to incorporate the idea into his novel The Phantom of the Opera.
On 21 July the cornerstone was laid at the southeast angle of the building's facade. In October the pumps were removed, the brick vault of the cuve was finished by 8 November, and the substructure was essentially complete by the end of the year.
After previewing it, the emperor requested several changes to the design of the building, the most important of which was the suppression of a balustraded terrace with corner groups at the top of the facade and its replacement with a massive attic story fronted by a continuous frieze surmounted by imperial quadrigae over the end bays.
With the incorporated changes, the model was transported over specially installed rails to the Palais de l'Industrie for public display at the exhibition.
Donas in The emperor's quadrigae were never added, although they can be seen in the model. The custom-designed letters were not ready in time for the unveiling and were replaced with commercially available substitutes.
After the fall of the empire in , Garnier was relieved to be able to remove them from the medallions. Letters in Garnier's original design were finally installed during the restoration of the building in The scaffolding concealing the facade was removed on 15 August in time for the Paris Exposition of All work on the building came to a halt during the Franco-Prussian War due to the siege of Paris September — January Construction had so advanced that parts of the building could be used as a food warehouse and a hospital.
After France's defeat Garnier became seriously ill from the deprivations of the siege and left Paris from March to June to recover on the Ligurian coast of Italy, while his assistant Louis Louvet remained behind during the turmoil of the Paris Commune which followed.
Louvet wrote several letters to Garnier, which document events relating to the building. The Commune authorities planned to replace Garnier with another architect, but this unnamed man had not yet appeared when Republican troops ousted the National Guard and gained control over the building on 23 May.
By the end of the month the Commune had been severely defeated. The Third Republic had become sufficiently well established by the fall, that on 30 September construction work recommenced, and by late October a small amount of funds were voted by the new legislature for further construction.
The political leaders of the new government maintained an intense dislike of all things associated with the Second Empire, and many of them regarded the essentially apolitical Garnier as a holdover from that regime.
This was especially true during the presidency of Adolphe Thiers who remained in office until May , but also persisted under his successor Marshal MacMahon.
Economies were demanded, and Garnier was forced to suppress the completion of sections of the building, in particular the Pavillon de l'Empereur which later became the home of the Opera Library Museum.
However, on 28—29 October an overwhelming incentive to complete the new theatre came when the Salle Le Peletier was destroyed by a fire which raged the entire night.
The cost of completion of the new house during was more than 7. The cash-strapped government of the Third Republic resorted to borrowing 4.
During Garnier and his construction team worked feverishly to complete the new Paris opera house, and by 17 October the orchestra was able to conduct an acoustical test of the new auditorium, followed by another on 2 December which was attended by officials, guests, and members of the press.
The Paris Opera Ballet danced on the stage on 12 December, and six days later the famous chandelier was lit for the first time.
During the intermission Garnier stepped out onto the landing of the grand staircase to receive the approving applause of the audience.
In electric lighting was installed. In the s new personnel and freight elevators were installed at the rear of stage, to facilitate the movement of employees in the administration building and the moving of stage scenery.
In , the theatre was given new electrical facilities and, during , part of the original Foyer de la Danse was converted into new rehearsal space for the Ballet company by the architect Jean-Loup Roubert.
During , restoration work began on the theatre. This restoration was completed in The French Post Office has issued two postage stamps on the building: The first was issued in September , for the centenary of the death of Charles Garnier.
The second, drawn and engraved by Martin Mörck, is issued in June and represents, in intaglio, the main facade.
The Amazonas theatre in Manaus, Brazil — The former Warsaw Philharmonic Hall — National Opera House of Ukraine opened Rialto Theatre in Montreal — Poetry roof sculpture by Charles Gumery.
The Dance by Jean-Baptiste Carpeaux. From Wikipedia, the free encyclopedia. Monument historique. Hanoi Opera House — Architecture portal France portal.
Haussmann reported on 14 August that the site had been cleared and surveyed. According to this source, more work was done after this date, and some parts of the building were never completed.
The figure does not include the costs of acquiring and clearing the land, which was the responsibility of Haussmann's Service d'Architecture and probably exceeded 15 million francs Mead , pp.
Retrieved 3 August The sculpture at the apex of the stage flytower roof is not included, but would add an additional 7.
Retrieved 19 March New York: The Little Bookroom. Stephen Gjertson Galleries. Charles-Alphonse-Achille Gumery, Harmony, Retrieved 21 November Page Only five projects were awarded prizes, but two were the result of collaborations.
For more information, see the sections on Baroque, Rococo, and Neoclassicism in French architecture.
Mead , p. This particular print is from the Metropolitan Museum of Art , whose annotator dates it to ca. Revivals of Lully's works were common.
The Italian practice of preparing new settings of existing librettos was considered controversial and did not become the norm in Paris until around The ballet of that time was merely an extension of the opera, having yet to evolve into an independent form of theatrical art.
As it became more important, however, the dance component of the company began to be referred to as the Paris Opera Ballet. In an associated ballet school was opened, today known as the Paris Opera Ballet School.
In , the company moved to the Salle Le Peletier , which had a capacity of spectators and where it remained until the building was destroyed by fire in In , the institution occupied a new home, the Palais Garnier.
In the period from to there were essentially four public theatres which were permitted in Paris: [36]. In , the laws were changed allowing almost anyone to open a public theatre.
This led to rapid growth in the number of theatres and companies and complexities in their naming.
Theatres might burn down and be rebuilt using the name of an old or new company or patron. Some of the new theatres that appeared during this period include: [54].
From Wikipedia, the free encyclopedia. Primary opera and ballet company of France. Paris , France. See also: French opera. Opera portal France portal.
Life" in Sadie Greenwood Press. Archived from the original on 18 July Retrieved 25 March CS1 maint: archived copy as title link at the official website in French.
Dickens's Dictionary of Paris , p. London: Macmillan. Full view at Google Books. Consistent with this date, Guest , p.
On this date Monnais was appointed to a position as Royal Commissioner Walton , p. Fontaine, perhaps in error, omits the 1 June co-directorship of Duponchel, Monnais, and Pillet.
Fontaine , p. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
Download as PDF Printable version. Wikimedia Commons. Logo of the Paris Opera. Opera and ballet company. Perrin granted license by Louis XIV.
Lully granted license by Louis XIV. Louis XVI arrested 13 August. Republican Calendar adopted 24 October. Hundred Days of Napoleon 20 March.
Charles X abdicates 2 August.
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